Eli Roth's glossy and reasonably fun update of Peter Traynor's 1977 exploitation movie "Death Game.". Roth's tale is fairly twisty, as the behavior of the women grows increasingly violent and more outrageous.. Roth, who is no Michael Haneke (or even Adrian Lyne), seems unconcerned with creating genuine tension or digging into an allegory of moral consequence.. The characters are driven by convenience, not behavior, and their actions seem like they've been manhandled into place to make the plot w...
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