Joel Schumacher's film adaptation of Lloyd Webber's The Phantom of the Opera combines fingernails-on- blackboard audio agony with bamboo- under- fingernails physical torture.. The half-dozen chapters vary in length and subject matter, but not in style or the efficiency of their message.. If there's a complaint to be made about Insidious, it's that the film's second half is unable to live up to the impossibly high standards set by the first half.. The film is weighed down by too many forehead-pal...
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