The whole movie turns into a slaughterhouse. The question isn't who wants it-box office action is assured-but who needs it?. There are more phones than female characters, who spend the movie comatose in hospital beds, fretting silently in the background or being hugged through a doorway. Neeson's whiskey-marinated Catholic anguish isn't exactly new, nor is Harris's rueful reflection on years flown. But if it's a film that sticks to the old songs, at least it plays the hits.. When was the last ti...
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